Split stereo files pro tools

So going a little bit further to maintain that. It takes, you know, five minutes to go through, maybe ten, to make sure that you have what you need. See, these muted regions here. This producer had some clip gain with everything dropped down on some spots, so you want to make sure you go through and you check — I prefer to go track by track. So a couple things on editing. I hope that helps you guys, check out theproaudiofiles.

Check out theproaudiofiles. Thanks again, guys. Train Your Ears Become a Member. Search for:. Articles Mixing Recording Producing Mastering. Share Tweet. Hold down option and select no insert, the whole row will go to no inserts. Use the Selector tool to select the length of the session in the Timeline. Bounce to Disk. Bounce it! Find The File.

When you do that, the Bounce window will appear. It entails selecting all tracks within your session, right-clicking and selecting the Track Bounce option. This method exports every track out of Pro Tools with all processing and automation printed, with the exception of the master bus processing. Split the clips by clicking the Split Clip button adjacent to the current-time indicator line.

The best way to split a long track into smaller tracks is to open the sound file in a sound editing program that lets you select sections and save them separately, such as CD Spin Doctor or Sound Studio. You can also separate a track into smaller tracks in iTunes, as long as you use the AIFF format at first. Use your cursor to select parts of the waveform to change it. In order to make this possible, the user must be able to split a stereo track into two mono tracks.

Once they are split, it is possible to process them independently. The following tutorial shows a step-by-step guide on how to split a Stereo Track into Mono in Pro Tools. Move the mouse close to a region boundary, toward the bottom of the track. The cursor will change into a symbol that looks like a crossfade. Click and drag the cursor either to the left or to the right, and a crossfade will appear, centered on the boundary.

At this point it is optional for the user to mute the original stereo track so that the only tracks playing audio information are the two mono tracks. Each mono track has now a dedicated channel strip so that processing can be applied independently. The user is also encouraged to experiment with the panning of the tracks, level, mute, solo, sends, and all the possible operations that can be applied to individual tracks.